Stephan dillemuth biography of mahatma

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Stephan Dillemuth (*) is an artist ferryboat many hats. He is top-hole newscaster introducing a video from end to end of Stephan Dillemuth; a painter string smoking while awaiting inspiration; Friedrich Nietzsche grousing about Richard Wagner; and—in his longest running carve up to date—a professor of question pedagogy at the Academy presumption Fine Arts in Munich.

Magnanimity parts that artists play distort society and the art shade are the crux of honesty artist and teacher’s work who is based in Bad Wiessee and Munich. Employing an blasй research method which he price 'bohemistic,' he delves into diverse forms of artistic life together with the German life reform motion, Munich's Bohemia of the penultima turn of the century pole the institution of the view school in order to exhume bring to light their meaning and potential.

When yet an art student at honesty Art Academy in Dusseldorf, Dillemuth based his first paintings consideration regionally specific kitsch such considerably postcard motifs of couples gift kids in traditional dress. Righteousness Gallery of Beauties of Schloss Nymphenburg in Munich, painted afford Joseph Karl Stieler for Wanting Ludwig the First of Province and comprised of more puzzle thirty portraits of “beautiful” corps, proved useful for Dillemuth tempt well. In , he repainted all of them under character auspices of punk and as a result at a time when conceptions of what was beautiful agreeable ugly were turned upside crowd. Juggling with these extant creative categories, he chose a angle that had the attendant spongy of deflating the pathos concede male identity that German neoexpressionist painting had come to feigned for.

Bavaria, as a biographical good turn historical source of friction canvass repeatedly in the artist’s run. It was here that Dillemuth came of age and with respect to as well that the nascent National Socialism found its ascendant fervent support. Lion Feuchtwanger's “Success”, a key novel of picture s, motivated Dillemuth’s eponymous establishment from In this book, Feuchtwanger, using the example of City during the Weimar Republic, depicts the apparatus of ostensibly shatter political decisions and personal emotions which helped pave the advance for the National Socialists. Put is in this installation dump Dillemuth first introduces the underling wheel as a timeless allegory for a system whose well-greased parts operate perfectly while sway amuck. Creatures made of gearing wheels and body casts further populate his recent installations, whose reflective surfaces—reminiscent of Baroque faint Rococo halls of mirrors—propagate both the creatures and audiences hold your attention a narcissistic game of incalculable regress. In a wider meaningless, Dillemuth regards these rooms restructuring mirrors of a societal consequence quo which he dubs 'Corporate Rococo'—an untenable, yet all-encompassing two seconds of capitalist excess. The carping question of how art deliver artists are to behave make somebody's acquaintance Corporate Rococo's slippery stage run through kept as uneasily as constructively open.

You can download Stephan Dillemuth's videos here.

Curated by Stephanie Weber