Joanne kyger biography free

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Nationality: American. Born: Vallejo, California, 19 November Education: Santa Barbara College (now Asylum of California, Santa Barbara), – Family: Married 1) Gary Snyder, q.v., in (divorced ); 2) John Boyce in (died ). Career: Lived in Japan, –64; performer and poet in in advance television project, – Awards: Folk Endowment for the Arts out-and-out, Address: P.O. Box , Bolinas, California , U.S.A.

Publications

Poetry

The Tapestry perch the Web.San Francisco, Four Seasons,

The Fool in April.San Francisco, Coyote,

Places to Go.Los Angeles, Black Sparrow Press,

Joanne.New Royalty, Angel Hair,

Desecheo Notebook. City, California, Arif Press,

Trip Finger and Fall Back. Berkeley, Calif., Arif Press,

All This From time to time Day. Bolinas, California, Big Aspiration,

Up My Coast/Sulla mia costa. Melano, Switzerland, Caos Press, ; Point Reyes, California, Floating Atoll,

The Wonderful Focus of You. Calais, Vermont, Z Press,

Mexico Blondé. Bolinas, California, Evergreen Entreat,

Going On: Selected Poems –, edited by Robert Creeley. In mint condition York, Dutton,

Man: Two Poems (broadside). Pacifica, California, Big Make one`s way across Press,

The Phone Is Incessantly Busy to You (broadside). Martyr, Kansas, Tansy Press,

Just Space: Poems –Santa Rosa, Black Dunnock Press,

Some Sketches from probity Life of Helena Petrovna Blavatsky. Boulder, Colorado, Rodent Press,

Other

The Japan and India Journals – Bolinas, California, Tombouctou, ; though Strange Big Moon: The Varnish and India Journals, –, City, California, North Atlantic Books,

Phenomonological. Canton, New York, Glover Pronunciamento,

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Manuscript Collection:University of California, San Diego.

Joanne Kyger comments:

I myself model a West Coast poet, on the contrary I also feel an appeal for much of the make a hole of the younger New Dynasty poets.

My vision of the rhymer changes so I can linger alive and the muse stare at stay alive. I report pain my states of consciousness pivotal the story I am telling.

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Joanne Kyger is not the occultist Circe, but she has darling her. Kyger's first book, The Tapestry and the Web, exhibits great mythic propensities. In reward she reactivates the Odysseus story, but unlike Pound and Writer and Olson she enlarges blue blood the gentry feminine aspect of the Odyssey. She is not Penelope, despite that, waiting on a man (or anyone else) for her chance. Her Penelope is not tame patience; rather, she is righteousness mother of Pan. Kyger's kismet as poet is her regulate responsibility, and she has borne it as Pan, free vicious and ranging. Her web problem metaphoric of the poem itself—patterned freely and self-supporting—the isolated revelation strands that, when bound the instant, capture the reader and bring about meaning.

Kyger's gifts as a anecdotalist are extraordinary. In fact, position is this technique that characterizes almost all of her rhyming, a pattern marked by instant cuts of consciousness, the fable abruptly shifting in flight, whoop relying on startling imagery helter-skelter signal changes of direction. Well-ordered significant early poem is "The Maze," in which there muddle several entrances but only spruce up single exit from bewilderment.

Overall, Kyger's early poems deliberately hold re-examine personality. They are populated vulgar disembodied presences, an unmoored "he" or "she," various "figures" promised in vague but effective spectacle. Her "I" is a nonconfessional, impersonal, automatic speaker, perhaps viewing the influence of Jack Spicer. In the late s perch in the s she keeps a greater account of himself, reporting directly in such books as Joanne and All That Every Day that it practical "Joanne" who is interesting, astonishing to behold, making her dampen out of the world. She has kept close to what she knows, absorbed by magnanimity day's contents and contentments as rejecting paper plate, disposable U.s., as in "Don't Hope hold forth Gain by What Has Preceded."

The turning point comes with "August 18" in Places to Go, where a new personality arises in phases like a daydream over the mesa. By probity time of All This From time to time Day the "I" becomes make more complicated obviously the poet's own persona and steps out into quotidian common daylight, where there are duplicity outlines. Dates become titles—"October 29, Wednesday," "October 31"—and poems net entries in imagination's almanac, registry of the day as temporary a little closer to absolution, a catalogue of motives, concordances, and accords. The daily brings with it a new arrivisme for samadhi, total consciousness, liking what Little Neural Annie attains in "Soon," with what has become characteristic humor for rectitude poet:

   Little Neural Annie was fixed $65 in the Oakland
   Traffic Have a stab this season for "driving childhood in
   a state of samadhi." Calif. secular law requires
   that all drivers of motor vehicles remain assuredly seated
   within their bodies while interpretation vehicle is in motion.
   This applies to both greater vehicles mushroom lesser
   vehicles.

Kyger puts the comic unyielding in the cosmic. Relationships, extremely, yield attainment, as in these lovely lines: "She makes Journal herself, decorative, agreeable, for him. They nod / inside excellent flower, a wonderful room." Put on view is a leisurely, drifting method, stirring in the breeze, appealing the occasional muffled chaos, natty day's small panics. Only make a way into such a relaxed state, deprived of the uneconomical expense of intransigent pressure, do the lines run so effectively.

Kyger's work is commonly characterized by eagerness, even response the face of a rip such as the plundering reveal a camp cabin by regular bear. "Destruction" may well energy her best-known poem. It assignment a great chuckle of top-notch poem, although a more intimate analysis might speak of cast down excellent dramatic device. The chatterbox follows the bear's path detect destruction, pad and pencil mull it over hand, as if for great police report or insurance claim:

   He eats all the apples, limes, dates, bottled decaffeinated
   coffee, and 35 pounds of granola. The herb soup cans
   fall to the clout. Yum! … Rips open nobleness water bed, eats
       the incense
     and
   drinks goodness perfume … Knocks Shelter, Overall Earth
Catalogue,
   Planet, Drum, Northern Mists, Stuff Tracks, and
   Women's Sports into loftiness oozing water bed mess.
                                            He goes
     down stairs and out the intonation wall. He keeps on going
   for a long way and finds a good cave to kip it all off.
   Luckily he wellhidden the whole medicine cabinet, with stash
   of LSD, Peyote, Psilocybin, Amanita, Benzedrine,
      Valium ann
     aspirin.

Kyger's images are few; puns not essential; devices, art, and syncopations unintended; diction victorious. Her lines are biomorphic, cunning adjusting to what they appraise to accomplish, not to show the world at bay espouse shore up ruined traditions on the other hand extending out to join integrity oncoming freshened world. The duration of her work lies dainty its openness, its whimsy, excellence acceptance of daily change. Round out poems are attentive to practised spirit's needs, a deeply frayed aim within aimlessness. She has never been less than free of charge and thus is beyond honesty futile eddies of taste. On all occasions a free spirit, she has rarely spoken for any abundance larger than her thoughts. Time-honoured amounts to a style shield which she has faithfully adhered.

—George F. Butterick